edition peters leipzig

To his increasing disbelief, Henri’s prominent role as benefactor did not shield him from restrictions on his freedom and his business activities, and in 1938 an employment ban was imposed on him and Hans-Joachim, who had become a partner in the firm. germania (3) Titolo uniforme. Friedländer introduced substantial improvements to music engraving and printing: his revolutionary rotary press for sheet music brought production costs down to a fraction of what they had been before. When Hoffmeister returned to Vienna in 1805, the firm passed into the sole ownership of Kühnel, who carried on the tradition with an edition (by Forkel) of Bach’s organ works, and a range of educational and theoretical publications. The company came into being on 1 December 1800 when the Viennese composer Franz Anton Hoffmeister (1754–1812) and the local organist Ambrosius Kühnel (1770–1813) opened a concern in Leipzig known as the "Bureau de Musique." On 1 December 1800 the Vienna-educated composer and conductor Franz Anton Hoffmeister (1754–1812) entered into partnership with the organist Ambrosius Kühnel (c. 1770–1813) to establish a Bureau de Musique in Leipzig. The Andrew W. Mellon Foundation In 1812, works by early Romantic composers such as Weber and Spohr – who would have a long-standing relationship with the firm – were added to the catalogue. Home Composers Contact. This series competed with Breitkopf & Härtel's similar Volksausgabe ("People's edition") series, launched at the same time. Susanne Popp/Susanne Shigihara (Bonn: Dümmler, 1995). Its first director was Georg Hillner, who was succeeded by musicologist Bernd Pachnicke in 1969. edition peters (2) peters (1) Anno di pubblicazione. The next owner was a manufacturer, Carl Gotthelf Siegmund Böhme (1785–1855), who published many works of J. S. Bach after the revival of interest in his work with the assistance of Carl Czerny, Siegfried Dehn, Friedrich Konrad Griepenkerl and Moritz Hauptmann. Henri Hinrichsen, his wife Martha, their sons Hans-Joachim and Paul, and several other family members eventually perished at the hand of the Nazi regime. Kühnel continued publishing new works, adding those of composers Daniel Gottlob Türk, Václav Tomášek, and Louis Spohr, all of whom went on to have a long relationship with the firm. Check out our edition peters leipzig selection for the very best in unique or custom, handmade pieces from our shops. Hinrichsen's sons Max (1901–1965), Walter (1907–1969), and Hans-Joachim (1909–1940) all entered the business in the 1930s. In the following years, various attempts were made to unify the separate Peters firms which had emerged from the turmoil of 20th-century history. Discrimination against the Jews of Leipzig was recorded as early as 1349 and perpetuated under Nazi influence. Buy VEB Edition Peters, Musikverlag, Leipzig: Findbuch des Verlagsarchivs im Sächsischen Staatsarchiv Leipzig by Gertraude Gebauer, I Prokop (ISBN: ) from Amazon's Book Store. In spite of suffering a similar degree of damage as other Leipzig publishers from the Allied bombing of Germany during the war, the Leipzig facility was re-opened in 1947, and transferred to state ownership of the East German government by 1949. On 1 April 1863, Dr Max Abraham (1831–1900) became a partner in the firm and took over the active management. When Hoffmeister departed for Vienna in 1805, the firm had already issued several works by the then new Viennese composer, Ludwig van Beethoven (Opp. The company is registered at the Trade register at the local court of Leipzig with the legal form of Private limited company (number HRB 6713). Peters Corporation in N.Y.; in 1938 M. Henrichsen created Henrichsen Edition in London, renamed Peters Edition in 1975; a business est. C. F. Peters died after a long illness in 1827. The company was then sold to a Berlin music and book retailer, Julius Friedländer, on 21 April 1860. ragtimes (1) Forma musicale. Edition Peters ; Leipzig Biblioteca (MI) Biblioteca del Conservatorio di musica Giuseppe Verdi Milano . Henri’s sons Max (1901–1965), Walter (1907–1969), and Hans-Joachim (1909–1940) all entered the business in the 1930s, but with the rise of the Nazis, the family soon faced discrimination because of their Jewish heritage. He recognized the vast potential of Friedländer’s innovations and, working with the Leipzig printer C. G. Röder, launched the iconic “Edition Peters” series in 1867, starting with Bach’s Well-Tempered Clavier (edited by Czerny). With a 14-volume set of the clavier works of J. S. Bach (then a nearly forgotten name), the firm undertook one of publishing history’s earliest “complete edition” projects, followed by J. N. Forkel’s famous first monograph on the composer. Peters Corporation (New York), the C.F. Among its earliest publications were collections of chamber music works by Haydn and Mozart. Finally, in 2014, the Frankfurt office was closed and the parent company of the Edition Peters Group returned once more to the city where the Peters story had begun more than 200 years earlier. What remained was merely a shadow of the once-proud publishing house that had operated from Leipzig for almost 200 years. Kahnt in 1989. SNAC is a discovery service for persons, families, and organizations found within archival collections at cultural heritage institutions. One year later, the authorities forced a sale of the company under their policy of “Aryanization”. In other activities, Henri’s generous financial support not only helped to establish local schools and academies – including Germany’s first college for women – but also laid the foundations for what later became the Leipzig Museum of Musical Instruments. By 1900, the series would include works by such household names as d’Albert, Brahms, Bruch, Dvořák, Flotow, Franz, Gade, Liszt, Loewe, Lortzing, Meyerbeer, Moszkowski, Raff, Sinding, Smetana, Vieuxtemps, and Wagner. By 1900, the series would include works by such household names as d’Albert, Brahms, Bruch, Dvořák, Flotow, Franz, Gade, Liszt, Loewe, Lortzing, Meyerbeer, Moszkowski, Raff, Sinding, Smetana, Vieuxtemps, and Wagner. leipzig (3) lipsia (1) Editore. The Trade register entry was last updated on Jun 6, 2016. The financial endowment provided by Abraham also allowed for the publication of musical yearbooks, which quickly became a standard resource in the emerging field of musicology. Edition Peters was founded in 1800 in Leipzig Germany, now known as the City of Music, due to its close ties with Johann Sebastian Bach, Mendelssohn, Reger, Schumann, Wagner and of course home to the world famous Gewandhaus Orchestra. Many congratulations to Professor Christoph Wolff and to Professor Hans-Joachim Schulze on the award of the prestigious Bach Medal of the City of Leipzig 2021. Its success enabled Abraham to establish the Peters Music Library, a reference collection of scholarly publications, first editions, autographs (including manuscripts by J. S. Bach and Mendelssohn), and other materials. Buy EDITION PETERS LEIPZIGER KLAVIERMUSIK. Its activities included the sale of instruments – supplying, amongst others, Goethe and Beethoven – and the publishing of books and sheet music. In addition to carrying on the Leipzig tradition, Max focussed on repertoire for organ and brass band, and on contemporary British composers. Employing a highly skilled team and working with renowned editors such as Bach expert Hans-Joachim Schulze, it continued to issue highly regarded Urtext editions of repertoire ranging from Vivaldi to Scriabin, and also published many important works by leading East German composers, including Paul Dessau, Hanns Eisler, Georg Katzer, Rudolf Wagner-Régeny, and Ruth Zechlin. Since then the majority interest in the Group has been owned by the Hinrichsen Foundation – meaning that profits from the business help to support musical education and performance – while the remaining part is owned by Christian Hinrichsen, grandson of Walter. Its current status is listed as active. Following the advent of the Nazi German government in Germany, Max Hinrichsen moved to London, where in 1938 he founded Hinrichsen Edition (renamed Edition Peters London in 1975), and his brother Walter moved to New York where he founded C. F. Peters Corp. (including the subsidiary Henmar Press) in 1948. Forthcoming projects such as the new edition of Schumann’s cello concerto, due for release in January 2021, illustrate another type of Urtext project entirely. After his death, his widow Carla Hinrichsen transferred the London company into the ownership of a charitable organisation, the Hinrichsen Foundation, with its primary object being the advancement of contemporary music. Over the decades that followed, the joint Edition Peters catalogue, to which each firm contributed, grew to more than 12,000 titles. The very first music published included chamber works by Haydn and Mozart, plus a 14-volume collected edition of keyboard works b… The works of Richard Strauss that were originally issued by Joseph Aibl (later Universal Edition) were acquired by Hinrichsen for Peters in 1932. Scopri Katalog der Musikbibliothek Peters . Peters Musikverlag (Frankfurt/Main) and the Leipzig firms of the Edition Peters merged in August 2010 to form Edition Peters Group. Social Networks and Archival Context. As stipulated in his will, on Böhme’s death the firm became a charitable foundation under the supervision of Leipzig City Council. To the Peters catalogue, he added works by Mahler, Pfitzner, Reger, Schoenberg, and Wolf, before acquiring the seven early tone poems of Richard Strauss in 1932. Peters Edition Ltd. 2-6 Baches Street. [1] By 1940, the Nazi regime forced Henri and Hans-Joachim Hinrichsen to turn over the company to Johannes Petschull (1901–2001), who later established the Frankfurt company in 1950 in partnership with the Hinrichsen heirs Walter and Max Hinrichsen. Peters Musikverlag (Frankfurt/Main) and the Leipzig firms of the Edition Peters merged in August 2010 to form Edition Peters Group. Erika Bucholtz, Henri Hinrichsen und der Musikverlag C. F. Peters: deutsch-jüdisches Bürgertum in Leipzig von 1891 bis 1938 (Tübingen: Mohr Siebeck, 2001), Sophie Fetthauer, Musikverlage im „Dritten Reich“ und im Exil, 2nd ed. Abraham employed many of the improvements to music printing that were introduced by the Leipzig engraver Gottlieb Röder, and launched the "Edition Peters" imprint in 1867. Everyday low prices and free delivery on eligible orders. In 2011 the European rental department of Edition Peters moved back to Leipzig, breathing new life into the historic premises at Talstraße 10. 19-22; 39-42). Belaieff in 1971, Schwann in 1974 and C.F. Friedländer resigned as partner in 1880, leaving Abraham in sole charge of the flourishing company. Edition Peters worked with a dizzying roster of composers across the 19th century - from Beethoven to Grieg and Mahler - and led to them producing the first editions of some of the most famous compositions of all time, all proofread and corrected by the composers themselves. Very good condition, no marking or writing, pages are tan. Edition Peters was founded in 1800 in Leipzig and rapidly developed into a major force within music publishing. References ^ Peters Corporation (New York), the C.F. The Peters Edition Ltd. (London), the C.F. These included piano studies by Clementi, Cramer, and Pleyel; the violin methods of Rode and Kreutzer; the treatises of Albrechtsberger and Marpurg; and Gerber’s Dictionary of Musicians. Two color schemes were used for the covers of this inexpensive series: a light green cover for works of earlier composers not affected by copyright restrictions; and pink covers for new, original works acquired by Peters or licensed from other publishers. Leipzig soon became a focus of the Group’s activities again, and historical ties were revived. Decisions made by Dr Petschull ensured that the historic firm was reduced to a rump, leaving its former and long-standing managing director, Norbert Molkenbur, as the only representative of Peters in its home town. Peters; in 1948 W. Henrichsen founded C.F. But more than 75 years later, his granddaughter, Martha Hinrichsen, born in New York, came back to see the official return of the publishing house to Leipzig. Edition Peters ; Leipzig Biblioteca (MI) Biblioteca del Conservatorio di musica Giuseppe Verdi Milano (1) Anno di pubblicazione Da: A: Lingua pubblicazione TEDESCO … [2], An Edition Peters title page of an old bound volume of, "Musik: Musikverlag Edition Peters hat Stammsitz wieder in Leipzig", https://en.wikipedia.org/w/index.php?title=Edition_Peters&oldid=999373461, 1800 establishments in the Holy Roman Empire, Articles with unsourced statements from January 2015, Wikipedia articles with MusicBrainz identifiers, Wikipedia articles with MusicBrainz label identifiers, Wikipedia articles with WORLDCATID identifiers, Creative Commons Attribution-ShareAlike License, This page was last edited on 9 January 2021, at 21:13. Also in 1894, Abraham’s nephew, Dr Henri Hinrichsen (1868–1942), who had been working his way up in the firm for some years, was made a partner in the business. Despite the economic aftermath of the Napoleonic Wars, he managed to build on existing composer relationships and expanded the catalogue with works by Hummel and Ries, alongside some early Nocturnes by John Field. As early as 1945, Walter returned to Leipzig as a US citizen and US Army Music Officer, and with his brother Max began to work towards a transfer of the company’s principal office to Frankfurt (Main), outside the Soviet Occupation Zone that was to become East Germany. Henri fully subscribed to his uncle’s ethos, and achieved considerable success after taking over the firm following Abraham’s death in 1900. In the post-war period, he and his wife Evelyn became active protagonists in American contemporary music, signing – amongst others – the young John Cage, and making C. F. Peters Corp. a highly-regarded publishing house with a distinct company profile. During the communist era, Peters Leipzig issued contemporary works of composers including Paul Dessau, Hanns Eisler, and Christian Geisler along with those of Soviet composers including Khachaturian and Shostakovich in addition to a number of urtext editions of works by Beethoven, Chopin, Fauré, Mahler, Scriabin, Vivaldi and others. After Kühnel's death, the enterprise was sold to Carl Friedrich Peters (1779–1827), a Leipzig bookseller. Among its earliest publications were collections of Haydn’s string quartets, and of Mozart’s quartets and quintets. Edition Peters is a classical music publisher founded in Leipzig, Germany in 1800. By 1880, the year Abraham took over the directorship, Peters had begun issuing new works by contemporary composers of the era. In Carl Czerny, Moritz Hauptmann, and others, he found highly skilled editors who continued the series of Bach publications during a period which saw revived interest in the composer’s works. Sponsors. Among its earliest publications were collections of chamber music works by Haydn and Mozart. Negotiations with Beethoven about a complete edition of his works were ultimately unsuccessful. Another notable achievement was the introduction of “Urtext” editions, which aimed to convey as truly as possible the intentions of the composer. Max Hinrichsen and his young family had left Germany for London in 1937. Following German reunification in 1989, the Leipzig concern was absorbed by the Frankfurt firm, who had acquired the catalogues of M.P. During this period a key appointment was that of Nicholas Riddle, who became Managing Director of the London company in 1995. 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